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Over the course of the passage, the main focus shifts from
A a description of one woman to a detailed characterization of a group of people.
B a depiction of a place to a statement of one character’s opinions about that place.
C opinions shared by many laypeople to opinions held by a great artist.
D the setup of a situation to one character’s reaction to that situation.
QUESTION 2 OF 11
In paragraph 4 (lines 22–28 (“"Ask Mrs. Pontellier …everywhere.”) ), the words “satisfaction” and “expectancy” serve mainly to
A show that those in attendance have fixed ideas about Mademoiselle Reisz’s performance.
B characterize Mademoiselle Reisz’s feelings about being asked to play for the group.
C indicate that Edna has been waiting for Mademoiselle Reisz to acknowledge her presence.
D demonstrate that the listeners anticipate that
Mademoiselle Reisz will not be able to play the pieces well.
QUESTION 3 OF 11
The primary purpose of paragraphs 2 and 3 (lines 5–21(“"I'll ask her," …difficulty.”) ) is to
A characterize Mademoiselle Reisz as someone who
delights in making people uncomfortable solely for her own amusement.
B emphasize that Madame Reisz has changed a great deal in the time Edna has known her.
C describe Mademoiselle Reisz’s interaction with Robert, which reflects her general interest in social pleasantries.
D establish Mademoiselle Reisz’s unpleasant attitude and
appearance, which contrast with the beautiful music she makes.
QUESTION 4 OF 11
It can be reasonably inferred that Edna refuses to choose the music that Mademoiselle Reisz will play because she
A feels that her musical education is insufficient for the honor of making the selection.
B is uncomfortable with being treated differently than the other guests.
C does not know what music the other guests would prefer to hear.
D wants to hear “Solitude” but doesn’t know how to ask for it.
QUESTION 5 OF 11
Which choice provides the best evidence for the answer to the previous question?
A lines 28–30 (“Edna . . . favor”)(“Edna was a trifle
embarrassed at being thus signaled out for the imperious little woman's favor.”)
B line 32 (“Edna . . . music”)(“Edna was what she herself called very fond of music.”)
C lines 34–35 (“She . . . practiced”)(“She sometimes liked to sit in the room of mornings when Madame Ratignolle played or practiced.”)
D lines 35–37 (“One . . . strain”)(“ One piece which that lady played Edna had entitled "Solitude." It was a short, plaintive, minor strain.”)
QUESTION 6 OF 11
As used in line 33 (“rendered”), “rendered” most nearly means
A covered
B made
C provided
D performed
QUESTION 7 OF 11
The imagery in paragraph 5 (lines 38–42 (“When she heard it there came before her imagination the figure of a man standing beside a desolate rock on the seashore. . . His attitude was one of hopeless resignation as he looked toward a distant bird winging its flight away from him.”) ) mainly serves to
A show that Edna’s imagination is not influenced by her surroundings.
B demonstrate Edna’s inability to distinguish reality from fantasy.
C characterize the vivid scenes music brings to Edna’s mind.
D make it clear that Edna longs to be alone in an isolated environment.
QUESTION 8 OF 11
The “dainty young woman clad in an Empire gown” (lines 43–44
(“a dainty young woman clad in an Empire gown”) ) is best understood to be
A a member of the group.
B someone about whom Mademoiselle Ratignolle is singing.
C an imaginary woman.
D Edna as a child.
QUESTION 9 OF 11
It can be reasonably inferred that Mademoiselle Reisz considers Edna to be worth playing for because
A only Edna has received enough training to fully appreciate the music.
B Edna feels passionately and deeply about the music.
C Edna has never had the opportunity to hear her play before.
D only Edna understands how it feels to be a musician.
QUESTION 10 OF 11
Which choice provides the best evidence for the answer to the previous question?
A lines 50–51 (“It was . . . piano”)(“It was not the first time she had heard an artist at the piano.”)
B lines 54–55 (“She . . . imagination”)(“She waited for the material pictures which she thought would gather and blaze before her imagination.”)
C lines 63–64 (“As she . . . shoulder”)(“As she passed along the gallery she patted Edna upon the shoulder.”)
D lines 67–68 (“Mademoiselle . . . tears”)(“Mademoiselle Reisz perceived her agitation and even her tears.”)
QUESTION 11 OF 11
The passage suggests that Edna views Mademoiselle Reisz as someone who is
A intimidating but profound.
B cold and uninviting.
C motherly and inspiring.
D misguided but irresponsible
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